Hope things smooth out for you over time. Was there any latency inserting a processor into a console, listening on headphones or the mains? Its no different than the old days, meaning. Īudiokid, post: 434959, member: 1 wrote: There is zero latency with any gear OTB, in line going one direction. Extremely affordable, super high end mixing and mastering quality. (another topic)Īs for the Bricasti, you can use it like an reverb send but I prefer to mix an entire session into it and capture it back on the second DAW. You can bus 16 lanes out and choose to only add a tranny to example, the drum and guitar bus's. This sis why I prefer a transparent summer. Even if some tracks do nothing more than go along for the ride with no processing. If I send one bus out to analog, it all all goes out and returns back in one piece. All the audio stays together in the pass, meaning, I never round trip a few tracks while others remain in the box. No matter what I do in a mix, if I use 20 analog products or one. My discussion on this can get really deep but in a nut shell, no matter what we use OTB, its still being controlled in part by the Aux or Bus' of the DAW.
There really is nothing better on the planet the I know out perform that beast.
The Neos as an example, is like the Bus section of the super big rail summing section. The Bricasti has an awesome ADDA, but I like the sound of it in its analog mode, like you'd use it in a console, on a stereo bus or even more simple, in a M/S matrix or right before you capture a mixdown on the second DAW. Not to mention, a good converter that has just as good interaction with the interface is paramount. Cheap interfacing, poor CPU is where everyone suffers intolerable latency and frustration. If you use excellent interfacing (PCIe ), latency is so minimal, its very tolerable. This is why you invest in a 3 point monitor controller.Īlso. The time there is latency is when you are doing a round trip or when you are monitoring OTB while tracking ITB, especially if your monitor controller is located wrong or if it lacks the ability to monitor the various locations of your workflow (See Dangerous Monitor ST). There is zero latency with any gear OTB, in line going one direction. OOPS! DUH! You addressed this later in the thread! That'll teach me to not pull the trigger so fast, or not.Later!
I'm still on a steep curve, lurking and learning! Someday I may own one but for now I have enough to learn and practice with. I'm just curious to know if you only use the Bricasti's in your analog pass between DAWs or as an external insert to the DAWs at times or both/more? As CPU increases, so will the realism of the Bricasti. The only reason Bricasti isn't ITB is because it uses an entire 8 core for a 2 channel reverb. There really is no reason to invest in analog mixing and mastering gear again. The future of captured audio is all about preserving or emulating space in a virtual world. I am suspecting they will change the game for even more people. There is no doubt in my mind, that is all I need for outboard hardware processing now. Imho, one Bricasti and Samplitude replaces an entire mixing arsenal. I did extensive tests comparing each piece in and out in every direction, before and after on aux's, bus's, mono and stereo including M & S. Audiokid, post: 434824, member: 1 wrote: I bought 2 M7's and experimented with them along with a long list of some of the worlds most sot after analog mixing and mastering gear.
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